Contact Details:

Info: nick.lean@oceanstormfilms.com
Tel: 07780 336829

Synopsis:

Carl Foster is a man committed to his work but a man who also knows he should give more time to his family. Taking a much needed break from the pressures of his professional life he embarks on a weekend vacation with his wife, daughter, and young son. But what begins as a pleasant, if somewhat conversationally strained journey, ends in a flurry of violent abuse, and spine-tingling terror as Carl, inadvisedly confronting a group of Carnival - type travellers, watches in desperation as the ones he loves are brutalised and humiliated in the dank, and grimy confines of an abandioned roadside diner. Will he be able to find a way for them all to escape, or are they destined to disappear without trace? Is everything quite as it seems or is the line between reality and fantasy blurred even for those who watch? Is Carl really the epitome of 'family man' that we have come to think of him as? Or is he something all-together more insipid and sinister? Whichever and whatever he is only time and the passage of cruel and tormented event will reveal. But rest assured -life, and death, is never as clearcut as they might seem to be.

Cast:

Subject to contract terms and availability:

Carl Foster - Wil Johnson
Maddie Foster - Angela Dixon
Chloe Foster - Frances Speedie
Lucas Foster - Callum Anderson
Dog - Jamie Foreman
Diggs - Jon Campling
Bones - Jill Greenacre
Mamon - Lucy Drive
Herschel - James Fisher
Old Timer - Eryl Lloyd Perry

Attached Crew:

About the Writer.....

A screenwiter learning and honing craft over 10 years and now just beginning to see the fruits of labour. Moving into producing and directing, but always seeking new, commercially driven concepts that entertain worldwide audiences with themes and characters that resonate with reality and credibility.

Hard Shoulder Poster - First Draft

Hard Shoulder Poster - First Draft

Wednesday, 18 June 2008

Stage One: Script

From the seeds of idea a great oak will one day stand - I hope.

Well the germination process has kicked in and here we are, three weeks later, with a full feature script - 80 or 100 pages depending on 'squeeze' and 'spacings'.

I'm very proud of it, and although this is but the first stage and the draft is pretty rough, to say the least, the framework of what I was aiming for is clearly there. I'm excited by the twists and turns, the sense of 'twilight zone' about the subplots interweaving with the main narrative, and the diversity of the main character, Carl. All in all its very trippy.

I'm going ot put it down now for a few days and revel in the completion of my eighth feature script before coming back to it with a creative vengeance. I know this will be a tough ask - I'm keener than mustard to get to grips with it for the next draft.

It does seem to have 'grown' slightly since the beat outline, both in terms of scale, location, and thus budget, but not so as to preclude it from the predicted production cost of £40k. And to think I was hoping to get this bad boy done on deferral for £6k at one time.

I think I must have been dreaming that one!

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